a5c7b9f00b Meet Sgt. Nicholas Angel. He's good. Too good. So good at what he does that his department has decided to make him disappear because he's making the rest of the department look bad. Soa token of his appreciation the Metropolitan Police Service decides to transfer him to a small country village knownSanford, Gloucestershire. Upon arrival, Nicholas quickly settles into his new surroundings and becomes familiar with the townsfolk, who all have unique personalities and are very friendly with one another. They govern themselves under an ultra-strict organization called the Neighborhood Watch Alliance. He's assigned to a station with a number of officers who don't take the jobseriouslyhe does. Now paired with Danny Butterman, the Inspector's son, who is a bumbling, overweight officer who has an uncontrollable love of Hollywood action films and thinks that everything Nicholas does mirrors the movies he loves. But when the town's residents start dying one by one, Nicholas and Danny soon undercover a massive conspiracy while the village struggles to maintain its' "village of the year" distinction. Since there has been no recorded murder in Sanford in 20 years, Nicholas and Danny have a hard time unraveling the conspiracy. Can they stop it before it's too late?
Sergeant Nicholas Angel lives and breathes police work. He's obsessed with law and order and because of this and his astonishing arrest rate he's making the rest of his department look bad. As a result, his chief inspector has decided to get rid of him by transferring him to Sandford, a seemingly idyllic village in the Gloucestershire countryside. However, things don't appear to be quite what they seem when a series of dubious and fatal "accidents" occur.
What can I say? It's a brilliant comedy that works on the same levelsShaun of the Dead (even though I haven't seen it!) The story goes that Nicholas Angel (Simon Pegg, who also co-wrote this film) is one of the best cops in the UK. But his colleagues are very jealous. So, they send Nick to the sleepy town of Sandford, where not much happens a lot. To make things worse, he's teamed up with a wannabe-cop named Danny (Nick Frost). But soon, a series of murders start to happen, and Nick is convinced that this town may not be so sleepy after all.<br/><br/>This film worksa brilliant comedy and a mystery thriller. The thriller only adds to the humour of the film. Simon Pegg was great and brought a lot to the film.<br/><br/>This is the best British comedy in years. Very recommended!
I was looking forward to Hot Fuzz - but Simon Pegg and Edgar Wright let me down for the first time.<br/><br/>This is a very, very weird movie. It's a hybrid comedy-action-horror piece, and the different elements don't sit well together. Somehow, Pegg and Wright's "Shaun of the Dead" successfully crossed genres, but the same experiment doesn't work here. The action scenes seem tacked on, the horror comes out of nowhere, and the comedy simply isn't strong enough - the good laughs are scarce.<br/><br/>Part of the problem is that the film is simply too intense. It's too loud, the cutting's too rapid, the scenes are too short. Oftentimes, Wright introduces tension and unease in a scene for no particular reason. This technique worked fine on half-hour episodes of his sitcom "Spaced," but it gets wearisome in a feature-length film; beside, it undercuts the real (deserved) tension that develops later.<br/><br/>Another problem is that this movie is distinctly lacking a feminine touch. There are no major female characters - in fact, there are hardly any minor ones. It's very much an overdose of testosterone. (Perhaps "Spaced" is so good because comedienne Jessica Stevenson contributed to the scripts and prevented them from descending into this kind of boy's-own stupidity?) <br/><br/>I don't mean to suggest that "Hot Fuzz" is terrible. The opening scenes have got something, and Nick Frost is always at least cute. But the jarring shifts in tone, relative lack of laughs, violence, and darkness all work together to produce an unsatisfactory result. I'm looking forward to seeing more work from this comedy team, but they'll have to beat this effort to keep me interested.
A British variation on Hollywood nonsense, andsuch it's a little gloomier, a little coarser, and a lot more cerebral–oh, and funnier than all the "Reno 911!" boxed sets combined.
"Hello Nicholas! How's the hand?"
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